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Home > Advice + Planning > Page 66

The Rise of Israeli Wedding Dress Designers

19/02/2016 by Smashing The Glass

Israeli-Wedding-Dress-Designers
This is a guest post by Anne Kleinberg

There was a time, not isao long ago, when the words Israeli Haute Couture could be considered an oxymoron. There was nothing elegant or sophisticated about evening dresses. And bridal gowns? A profusion of puffiness and petticoats!

But times changed. Dramatically. In a country known as the start-up nation, the bridal industry has captured the world’s attention and is reported to be valued at billions of shekels. The wedding gown creations of Israel’s designers are nothing less than stunning and they are being paraded out onto the world’s catwalks and red carpets – big time. The names of these houses are uttered in hushed, revered tones on both sides of the Atlantic, and beyond.

While the centre of the bridal dress district was once Dizengoff Street in Tel Aviv, it now expands out into trendy Jaffa, the southern coastal city of Ashdod and beyond. And although Israeli brides tend to rent their gowns (for considerably less money than buying), many designers sell in bridal salons throughout the world as well as via the Internet. The shops vary from small, personalized boutiques run by classically trained dressmakers to empires run by businesswomen and their daughters.

Berta-Bridal
Berta Baliti was born in Egypt, emigrated to Israel with her family as a small child and parlayed her degree from the famed Shenkar College in Tel Aviv into a world-renown bridal dress empire. She describes her designs as “avant-garde” and they certainly exude sexiness and daring, femininity and elegance with their plunging necklines, flowing trains and delicate veils. She has boutiques in many countries and her gowns have graced magazine covers, and bodies, throughout the world.

> See real brides on Smashing The Glass wearing Berta

Galia-Lahav
Galia Lahav is of Russian descent, born into a family of dressmakers. From a modest beginning creating ivory lace appliques to establishing a design house saturated in extravagance and luxury, a Galia Lahav gown is not for the faint of heart. Her collections epitomize a golden age with evocative names like Ivory Tower, La Dolce Vita, Empress, Lourdes & Les Reves Bohemians. Pearls cascading down a graceful back, mermaid tails, fringes, feathers & ruffles embellish her dresses as jewels in the crowns of royalty.

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“My best Jewish wedding photo” by Erika Szostak

14/02/2016 by Karen

A weekly series where  I ask some of the world’s best wedding photographers to pick out their favourite shot from their Jewish wedding portfolio. This week it’s the turn of  Erika Szostak of PhotoMadly.

Erika-Szostak

‘A chuppah in the  dark’ by Erika Szostak

Sheli and Zack were married at a breathtakingly beautiful resort near Palm Springs, California. The resort was ringed by craggy mountains, which made for a stunning backdrop — during the day. The wedding ceremony was scheduled for sunset but as things often happen on wedding day, things ran late, and the ceremony didn’t start until about 20 minutes after schedule.

Well, not having worked at this particular resort before I didn’t know that the transition from light to dark at the base of the mountains is like going from white to black in the blink of an eye. Inexplicably, neither the venue nor the wedding planner seemed to know this either, and no one had thought to provide a single light source for the ceremony. So, the sun set and suddenly we all found ourselves in total blackness.

As you may or may not know, a camera’s autofocus does not function in the pitch dark. It needs contrast in order to work, thus you need at least one point of light in your frame. I switched to manual focus, but that didn’t help either because it was so dark I couldn’t see anything through my viewfinder. Total panic mode!

Luckily, my partner and second shooter, had had the forethought to hang a remote flash from a tree branch over the chuppah before the ceremony, thinking the chuppah would act as a nice diffuser and we’d get a bit of fill flash. We never imagined it would be the only light source! It worked though, and while disco-strobelight-flashing-chuppah is not the effect we were going for (and Sheli and Zack said they didn’t even notice this), it meant that disaster was averted and not only were we able to get the shots under incredibly difficult conditions, they were especially dream-like and dramatic to boot.“

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“My best Jewish wedding photo” by Matt Parry

07/02/2016 by Karen

A weekly series where  I ask some of the world’s best wedding photographers to pick out their favourite shot from their Jewish wedding portfolio. This week it’s the turn of Matt Parry.

Matt-Parry

‘Energy’ by  Matt Parry

The only way to truly capture weddings is to get right in the thick of the action. One of the true innovators of photography Robert Capa once said “If your pictures aren’t good enough, you’re not close enough.”

I love this shot. I love the dance floor at all Jewish weddings. OK I may take the odd elbow/chair leg to the face but its so worth it to get right up close and capture that sense of energy and happiness. Sometimes the energy and movement within images can be subtle (a moment just before a kiss) ….and sometimes it can be in your face obvious (a flying groom just before he collides with your camera lens).”

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Smashing the Bride’s Glass Ceiling

05/02/2016 by Karen

Brides-giving-speeches
This is a guest post by  Lucy Jenkins (pictured above),
a newlywed television publicist living in London,  whose wedding I  featured on the blog last month.

Over the last few years there has been a huge renaissance in the rise of feminism, with women pushing for the right to equal pay, equal rights and against every day sexism. In the wedding industry, an industry which revolves predominantly around women, it seems bizarre that there are so many antiquated rules that determine how we create our wedding days.

Over the past year I was asked on a nearly daily basis how ‘my’ wedding plans were going, and very rarely did anyone assume that my husband was involved in the intricacies of the planning process. There were constant references to ‘Lucy’s wedding’ and a general assumption that the big day was higher up on my agenda than his. It is an extraordinary set of circumstances and outdated behaviour that a wedding day seems to belong to the bride, and yet her voice is the only one that we do not hear.

After many years working in publishing and now in television I spend my days talking non-stop, and you’d think that when I leave the office that my ability to talk and talk and talk would diminish, but it never seems to. When Matt and I first met, on a flashing dance floor of a club, he offered to buy me a drink and we spent the next three hours sitting in the corner talking about anything and everything under the sun.

Our first few dates lasted until 2 or 3am, moving from restaurants to bars, watching last orders being called around us while we were lost to the world deep in conversation. We are both chatterboxes, we love regaling our friends with stories, working any problems out by talking them through, having heated debates and are most definitely not known for our shyness. And yet when it came to planning our big day he seemed a little taken aback that I wanted to stand up on stage and say a few words.

Brides-Speech
Image:  Jez Dickson

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“My best Jewish wedding photo” by Ben Kelmer

31/01/2016 by Karen

A weekly series where  I ask some of the world’s best wedding photographers to pick out their favourite shot from their Jewish wedding portfolio. This week it’s the turn of  Ben Kelmer.

Ben Kelmer

‘Excitement’ by Ben Kelmer

I  always try to capture the real moments in weddings. I love this photo because it shows the real excitement that Tal and Gal felt  after their wedding ceremony, en route to their reception. Gal, in a moment of happiness, grabbed Tal and lifted her in the air. The excitement is palpable…”

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