Where do we even start with this epic Jewish wedding? Catherine’s sensational bridal style? The way she and now-husband Perry, combined their NYC (hers) and London (his) backgrounds? The ceremony they crafted to reflect their “Judaism Lite” approach to religion? The editorial-style photography from Christopher Lane Wedding?
Or maybe the fact that the bride is a beloved member of Smashing The Glass’s Brides Club?
Okay, we’ll go with that last one… Catherine has the absolute sweetest things to say about the advice, tips, and resources she found through being a member of our Brides Club (and also her SMASHED IT bag for her smash glass)!
In Catherine’s own words:
“Karen (founder of Brides Club) was absolutely SMASHING in everything from her one-on-one advice inside Brides Club, to daily tips, and as neither my husband and I are very religious, the vast breadth of Jewish related questions and answers I was able to get answered was priceless.”
So back to Catherine’s bridal fashion sense… this super stylish bride, and she had not one but TWO gorgeous dresses: for the ceremony, an uber-glam long-sleeved Ines di Santo, and for the reception an edgier custom gown by the bride’s friend designer Paul Raymond — and we’re TOALLY obsessed with both looks.
There’s so much more to say, but we’ll let the bride take it from here…
New York Meets London
Catherine, the bride: We got married a the Gramercy Park Hotel in NYC. I had wanted to get married in the UK as my husband is from London… plus who doesn’t want to be an English countryside bride?!
However, my mother put the kibosh on that (after we had already traveled to and picked the venue in England), claiming the wedding should be in the bride’s hometown. As I am born and bred NY’er, there was no shortage of venue options. We decided on the GPH as it embodied the perfect symbiosis of New York City glamour and London chic. Additionally, my parents’ first apartment was also on Gramercy park and the rooftop terrace has a Robert Mapplethorpe by Andy Warhol portrait… given my mother was Robert’s publisher while he was alive, it further supplanted the idea that the GPH was the venue for us.
